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Capitoline Antinous
The Capitoline 'Antinous' is a marble statue of a young nude male found at Hadrian's Villa, Tivoli,〔This provenance from the ''Museo Capitolino, o sia descrizione delle statue'' (Rome 1750), compiled by Giovanni Pietro Lucatelli, is noted in Francis Haskell and Nicholas Penny, ''Taste and the Antique: The Lure of Classical Sculpture 1500-1900'' (Yale University Press) 1981:143.〕 during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there.〔As early as 1724, Conte Giuseppe Fede had been buying up parcels of land in the extensive villa, which had become divided up among a multitude of owners; for the early career and reputation of the ''Capitoline 'Antinous' '', see Haskell and Penny 1981: cat. no 5, pp 143f, and ''passim''〕 It was bought before 1733 by Alessandro Cardinal Albani.〔When it was inventoried in Cardinal Albani's collection by the sculptor Agostino Cornacchini, who rated it priceless and worthy of ranking with the best antiquities (noted Haskell and Penny 1981:144.〕 To contemporaries it seemed to be the real attraction of his collection.〔Haskell and Penny's phrase, (1981:64) based on contemporary accounts, published and private.〕 The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci.〔Haskell and Penny 1981:143.〕 In the 18th century it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800-15, when it was returned to Rome after the fall of Napoleon.
In part due to its hair being unlike that in better-attested Antinous-types, which closely follow a very few iconographic models, it is now considered〔''E.g.'' in Wolfgang Helbig, ''Führer durch die öffentlichen Sammlungen klassischer Altertümen in Rom'' 1963-72, II:230f.〕 to be a Roman Imperial era copy of an early 4th century BC Greek statue of Hermes. Such a change of identification was already underway before 1900, when Augustus Hare observed in his ''Walks in Rome'' that :
==References==
* Caroline Vout, ''Power and Eroticism in Imperial Rome'', (page 80 )
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